This short-story written by Roald Dahl is about a woman – Mary Maloney – who also murders her husband with a leg of lamb. It's really interesting to study, since it reveals us, how a crucial decision in a situation like this can lead to natural life altering decisions. This story also shows how the idea of a so-called ‘nuclear-family' (the perfect family) can affect someone's mind – the whole role playing game between your husband and wife. This kind of essay will certainly interpret and discuss a characterisation of Mary and her hubby Patrick, and a description with the setting, it, and lastly, an attempt to put that into point of view to different crime-stories we've read. Very good intro!
Like a wife, Jane Maloney is quite kind, focused and innovative. She is as well an pregnant woman. Her main problem though will be obsessed by importance of buying the ‘nuclear-family'. The nuclear-family is vital to this history; the whole family is absolutely just a ‘dollhouse', where nothing really is what seems like. Everybody is operating to achieve selected social best practice rules; this is practically being told by simply Patrick Maloney as well on-page 115: " But right now there needn't really be any fuss. It didn't be very good for my personal job”. All that matters is the approach other people see them being a family. Martha works as the stereotype with the 1960'ies, wherever it's everything regarding soothing your spouse – making him feel at ease at home to forward his career. From this story, Jane is being described in a way that deteriorates the basic beliefs of women; she actually is described practically as a servant. " The lady sets down her sewing… took his coat and hung it in the closet” – this kind of quote lets us know two things; 1, that women work the main part of the day, and two, she actually is ‘always presently there to serve' (stereotype). Mary might also appear a bit psychotic/deranged in this tale – besides murdering her husband and afterwards acting like nothing occurred, the very stimulating and indeed obvious ‘giggle' at the end of the history (page 121...
